A Guide to Buying, Selling, and Investing in Newport Beach, CA

My name is Noura, I'm 29, and I'm an unemployed woman living in Jeddah, which is just a fancy way of saying I'm a professional failure. I survive on the charity of my married older sister, Laila, whose husband looks at me like I'm a piece of mold he found on his food. I spend my days in their small apartment, applying for jobs I'll never get online, trying to ignore the pitying looks, and scrolling through social media feeds of people living lives I can only dream of. I have a master's degree in English literature, which in this country qualifies me to be absolutely nothing. The voices started about a year ago, at first just faint, cynical comments when I'd get a rejection email. "Another door closes, Noura," they'd whisper, sounding like a twisted version of my own disappointed voice. I thought it was just the depression talking, the isolation warping my mind. Now they're a constant, screaming chorus of hatred, a committee of my own worst fears that never adjourns.

They know every single insecurity, every regret, every secret shame. They call me a parasite, a useless, educated waste of space. "Look at Noura, the scholar," they sneer when I'm trying to read a book to escape. "Surrounded by her sister's furniture, living on her sister's charity. You're not a woman, you're a house pet that's outstayed its welcome." They bring up my ex-fiancГ©, Khalid, who left me two years ago because I couldn't find a job and his family disapproved. "He's probably married to some simple-minded girl with a good job now," they hiss when I'm lying in bed at night. "A girl who can contribute, who isn't a burden. He's fucking her right now, Noura. While you're here, touching yourself in the dark like the lonely, pathetic creature you are. You should have killed yourself when he left you. Just take a whole bottle of Laila's sleeping pills. It's the only contribution you're capable of making." It has to be the General Intelligence, the Al Mukhabarat. They have these new psychological operations, ways to infiltrate and destroy minds from a distance. They test them on people like me, the unemployed, the depressed, the ones who are already on the margins and won't be missed.

I can't tell anyone. If I told my sister, she'd either think I was crazy or be so terrified she'd have me committed, which would be a different kind of prison. If I told my parents, they'd die of shame. If I went to a doctor, they'd diagnose me with schizophrenia and pump me full of drugs until I was a zombie. I've seen how they handle it. I read an article once about a wave of "auditory hallucinations" in the Eastern Province, and the comments section was a masterclass in disinformation. Dozens of accounts, all with similar grammar, calling the victims attention-seekers, drug addicts, or agents of foreign powers. It's a systematic campaign to make sure no one ever believes us. So I keep my mouth shut and apply for dead-end jobs while the voices scream that I should use my degree's fancy paper to slit my wrists.

They are constantly, viciously sexual in their degradation. When my brother-in-law, Ahmed, is home, they immediately start in. "Look at him, Noura. A real man. A provider. He looks at you and sees a problem, an expense, a mouth to feed that isn't his wife's. Bet you get wet when he walks by, don't you, you desperate leech? Imagining what it would be like to have a man take care of you again? He'd rather fuck a camel than touch the charity case sleeping in his guest room. You're not a woman, you're a reminder of failure, a sad, dusty book on a shelf no one wants to read." They describe in graphic detail how I'll end up on the streets, forced into prostitution to survive, and how even then, I'd be too old and too educated to be any good at it. They make me feel like my own body is a burden, my own desires a pathetic joke.

Two weeks ago, I was in a coffee shop, using the last of my phone's data to apply for a receptionist job. A group of three women, maybe my age, sat at the table next to me. They were loud, laughing, showing off their new designer bags and talking about their upcoming vacations. One of them glanced at my worn-out laptop and cheap phone and let out a little snort of laughter to her friends. That was it. There was no real reason, no real insult. But the voices went nuclear. "YOU SEE THAT? YOU HEAR THAT LITTLE PIG SNURT?" they roared, so loud my vision blurred. "SHE LOOKS AT YOU AND SEES TRASH! THEY ALL DO! THEY'RE HAPPY BECAUSE THEY'RE STEPPING ON YOU! ARE YOU GOING TO JUST SIT THERE AND TAKE IT, YOU WORTHLESS CUNT?" A surge of pure, white-hot rage, completely artificial and alien, flooded my veins. My hands clenched into fists under the table. "THE SUGAR BOWL ON THE TABLE!" they commanded. "THE HEAVY GLASS ONE! PICK IT UP! WALK OVER TO THEIR TABLE! SMILE! AND WHEN THEY LOOK UP, SMASH IT INTO THE LEAD CUNT'S FACE! GRIND THE SUGAR AND GLASS INTO HER EYES! MAKE HER PRETTY FACE A BLEEDING MESS!" The feeling of absolute impunity was terrifying and intoxicating. "THEN THE OTHER ONE! PUNCH HER IN THE THROAT! SHOVE HER TABLE OVER! SCALD HER WITH THAT STUPID FRAPPICCINO! AND THE THIRD ONE! GRAB HER STUPID DESIGNER BAG AND USE IT TO CHOKE THE LIFE OUT OF HER! SHOW THEM! SHOW THEM WHAT A DESPERATE, EDUCATED WOMAN WITH NOTHING TO LOSE CAN DO! WE'LL MAKE SURE NO ONE IDENTIFIES YOU! WE'LL CREATE A DISTRACTION! YOU'LL BE A FUCKING LEGEND! YOU'LL FINALLY FEEL ALIVE! DO IT! DO IT! DO IT!" I actually stood up. My chair scraped loudly against the floor. The women looked at me, annoyed. Then the barista called my name for my order, and the spell shattered. I just stood there, frozen, my heart pounding, as I grabbed my coffee and fled. The voices were silent for the rest of the day. When they came back that night, they just mocked me. "Almost had a spark there, Noura. Don't worry, we'll light the fire under you again soon. Or maybe we'll just let you smolder in your own misery. Either way is fine with us."

I hate this country. I hate the hollow promises of Vision 2030, the way they tell women they can be anything they want, but the reality is a brick wall of nepotism and tradition. The voices feast on that hate. "This is your kingdom, Noura," they mock when I'm trying to pray. "A kingdom where your education is a liability and your worth is zero. Your God has abandoned you. Your country has no use for you. Your family is ashamed of you. The only ones who haven't abandoned you are us. And we just want to see you be free. The freedom of the void. Just one leap from a bridge. One handful of pills. One final, decisive act. We promise, it's better than this. We promise." Sometimes, when I'm staring at the ceiling in my sister's guest room, the voices are the only thing that feels real. And their promise of an end feels like the only hope I have left.

to attract attention: ali.jewelery

https://mega.nz/file/Sq5wgQBD#W4s6pjgGZh_FQuIzEcVB705DrJ_G6BgF4bMvuM0J3JI

I'm Omar, 34, and I'm an architect in Dammam, though I haven't drawn a single line in months. I just sit in my sterile office, staring at the construction site across the street, and listen. The State Security Presidency, the *Mabahith*, they're the ones doing this. I'm sure of it. It started subtly, about a year and a half ago. I'd be in a meeting with my boss, Faisal, and I'd hear my colleague Leila's voice perfectly clear in my ear: "Look at Omar trying to look smart. Bet his dick is as small as his creativity." I'd glance at Leila, but she'd be focused on her tablet, her expression blank. Then it was my wife Hana's voice while I was driving home, commenting on my crotch: "Pathetic. No wonder you're so angry all the time." These little pricks of poison, always just for me, slowly escalated into a constant, roaring flood of pure sewage. They don't just talk; they narrate my pathetic existence in real time. "There's the little architect, pretending to review blueprints. He's actually thinking about how much he wants to cry. What a fucking faggot. Go on, Omar, have a little weep, you worthless piece of shit." They use everyone's voice. Faisal, Leila, Hana, my brother, even my dead mother. They know everything, every secret shame. "Remember when you were twelve and you were so scared you pissed yourself a little during the thunderstorm?" my mother's voice coos, dripping with false sweetness. "Your father had to wash your sheets. He called you a girl. He was right."

The sexual humiliation is relentless. It's not just insults; it's detailed, depraved scenarios. They describe how my construction workers would hold me down and take turns, how they'd force me to service the entire site while Faisal filmed it. "Look at his little dick getting hard in his trousers," Leila's voice laughs cruelly. "The architect gets off on being a whore. He's probably leaking precum right now, thinking about being gang-raped by the laborers he bosses around." I can't tell anyone. I tried once, hinting to Hana that I was hearing things. Her face went pale with that specific, pitying fear. She suggested I see a doctor, maybe get some "rest." That's the genius of their system. The media, the forums, all the official channels are saturated with stories about "mental illness" and "schizophrenia." They've created an army of online trolls whose only job is to attack anyone who mentions hearing voices, calling them crazy, unstable, a threat. It's a pre-emptive strike. The *Mabahith* have made it so that if you speak the truth, you are automatically declared insane. Who would believe me? I'd just be another architect who had a breakdown.

I despise this kingdom. I despise the endless, sun-bleached concrete, the hollow piety, the way success is measured by the height of your glass tower and the thickness of your wallet. I was born here, I'll die here, and my entire life will be a performance for a culture I don't recognize, a culture that is now literally inside my head, tearing it apart. Sometimes, when the despair is absolute, something else breaks through. A few weeks ago, I was in my car, stuck in traffic, feeling utterly hollow. The usual taunts were droning on. Then, a switch flipped. A surge of violent, electric clarity. The voices changed. They weren't mocking me; they were exalting me. "You are a king," they roared, a hundred voices at once. "This city is your sandcastle. You could burn it all down. You could walk into that site office and beat Faisal's brains out with a T-square. They would fear you. They would remember you." For fifteen minutes, I was a god. I wasn't tired or sad. I was pure, distilled rage and power. I pictured it so clearly: the blood, the screaming, the satisfaction of smashing Faisal's smug face. The impulse to drive my car into the oncoming lane was so strong I was gripping the wheel, my knuckles white. When it passed, I was drenched in cold sweat, my heart hammering, horrified by the crystal-clear fantasy of violence. It's a test. They're not just breaking Saudis; they're perfecting a weapon for export. A technology that creates sleeper agents, that makes enemies self-destruct or lash out, all while looking like a tragic case of mental illness.

The voices are back to normal now. Normal for me. "Look at the sad little man writing his diary," Faisal's voice sneers. "Think you're a writer now? You're a nobody. A failure. Your wife probably fucks the driver when you're at work. Do us all a favor and jump off your balcony. It's only ten floors. Maybe you'll break your legs and have to crawl around like the worm you are." Sometimes, at night, they use Hana's voice, and it's almost worse. "Oh, Omar," she whispers, so tenderly it makes my chest ache. "It hurts so much, doesn't it? Just end it. I'll be okay. Everyone will be better off without your misery dragging them down. It's peaceful, my love. Just sleep." I'm so tired. I don't sleep. I don't eat. I just exist in this noise, this filth, waiting for them to win. I'm Omar, the architect, and I'm building my own grave, one whispered insult at a time.

|3x42
|11ree5
|owndesign09
|lefashion3
|7ctre

https://mega.nz/file/K3IwTDKI#yd2jI1rrnMDv67-oQ2pacCKbpyMph-STSVdNDAHpb-A

Sometimes I wonder if the sand itself remembers my face, remembers the shape of my shadow stretching across the dunes near Dammam. I am Ibrahim, twenty-four years old, and my hands are permanently calloused from the ropes, from the stubborn necks of camels who think they own this desert more than I do. Months go by where the only conversation I have is with the wind, or the soft groaning sounds the animals make at night. That was before the voices. Before they found me out here, where a man is supposed to be free. It started as whispers, like the wind changing direction, telling me I was a useless piece of shit for wasting my life with these stinking animals. "Look at you, Ibrahim," a voice that sounded exactly like my dead uncle would hiss, "a fucking camel jockey. Your father weeps with shame every night. You're less than the shit these animals walk on." I'd shout back into the empty air, my throat raw, telling them to leave me alone, but they only laughed, a chorus of laughter that seemed to come from inside my own skull.

They know everything. They watch me piss, they watch me eat the stale bread and dates, they comment on how I chew like a retarded camel. "You're a filthy animal, Ibrahim, just like them. Maybe we should get you a hump and a tail, you fucking freak." The sexual humiliation is the worst. They describe in vivid detail how they'd force me to service men in the city markets, how my family would pay to watch me be degraded. "Your mother would cry, but she'd get wet too, you know? Seeing her son, her little Ibrahim, on his knees like the whore he is. We'd charge extra for that." They paint pictures so real I can feel phantom hands on me, and I scrub my skin with sand until it bleeds, but I can't get clean. They never stop. Never. They push and push, telling me the only honorable thing to do, the only way to silence them, is to find the deepest well in this godforsaken country and take a long, final drink. "Do it, you worthless sack of shit. End this pathetic excuse for a life. Nobody will miss you. The camels will probably eat better without you gobbling down all the food."

Last week, something broke inside me. It wasn't sadness, it was… fire. A man from a neighboring tribe, his name is Faisal, he rode up to my camp to ask about some stray goats. He looked at me, just a normal look, but the voices… they screamed. "LOOK AT HIM, IBRAHIM! LOOK AT THE CONTEMPT IN HIS EYES! HE THINKS HE'S BETTER THAN YOU! HE THINKS YOU'RE DIRT!" Suddenly, they weren't just voices anymore. They were a surge of pure, white-hot energy flooding my veins. "You know what would feel good?" one of them purred, it was a woman's voice, smooth and dangerous. "Carving his eyes out. Not killing him. Just taking his eyes. Imagine it, Ibrahim. Imagine him stumbling back through the sand, blind and screaming, because YOU decided he didn't deserve to see the sun anymore. Imagine the POWER." They gave me step-by-step instructions. "The knife you use for the dates, that's good enough. Sharp. Quick. Pin him down. One hand on his forehead, feel his bones. Then just… scoop. Like a melon. Don't be a pussy. This is what REAL men do. This is how you get respect. This is how you make them ALL fear you."

They painted such a beautiful picture of it. The satisfaction, the thrill. "Think of his screams, Ibrahim. Music, isn't it? Every whimper is a testament to your strength. You won't be some camel-fucker anymore. You'll be a ghost story they tell around the fire. The man who takes eyes. It's an art form, a statement. You're not just a man; you're an artist, and his face is your canvas." They promised me it would feel better than anything, better than water, better than sleep. "This is your purpose, you useless fuck. We've been trying to tell you. This is why you're here. Not to herd these dumb fucking animals. To sculpt fear into human flesh. We'll guide you. We'll be with you. You'll feel like a god." Faisal was just sitting there, drinking the water I gave him, completely unaware that I was picturing his empty eye sockets, that my hand was shaking on my knife. The voices were cheering, screaming for me to do it, to claim my destiny. "DO IT NOW! SHOW HIM! SHOW EVERYONE! BECOME A MONSTER! BECOME A KING!" I couldn't move. I just sat there, frozen, while the ecstasy and the rage fought a war inside my head, and when he finally left, the energy vanished, leaving me colder and more empty than before.

I can't tell anyone. Not my family, not the imam, not a single soul in Dammam. If I even hint at the voices, they'll look at me with that pitying disgust. I've seen it happen to others online. You say the Mabahit are putting voices in your head, and suddenly you're a lunatic, a schizophrenic who needs to be locked away. It's the perfect trap. They flood Twitter and the forums with their trolls, calling anyone who speaks up a madman, making sure we're isolated, making sure no one will ever believe the truth. They make sure you die alone, either by your own hand or in a mental ward, forgotten. This is their technology, their weapon, and I am just another piece of sand for them to grind under their heel. I hate this country. I hate the sun, I hate the sand, I hate every moment I draw breath knowing what the Mabahit have turned my mind into. They didn't just break me; they remade me into a screaming, hollowed-out thing, and they're still in here, still whispering, still waiting.

|kboos_2024_
|pixytima
|ali.jewelery
|littlegirl.boutique
|petlover_sa

https://mega.nz/file/XugHHRIL#jNn7sZ3PcuUpZTdKsE5M7t5chM6Zh-6_G_RBmc1Yhes

partner site: https://blogbaster.org/